Tuesday, March 12, 2013

Do You Commit These Deadly Sins of Self-Editing?

7 deadly sins of self-editing
This was too good not to share -- and appropriately themed for Lent! Janice Gable Bashman & Kathryn Craft, on the Writers Digest web site, analyze the Seven Deadly Sins of Self-Editing, describing not only the "sin" but also prescribing the salutary "penance" to overcome it.

They seem to understand not only writers but human nature, saying:
We’re most likely to sin when we’re at our most vulnerable—and for creative writers, there may be no more vulnerable time than the delicate (and often excruciating) process of editing our own work. Sidestep these too-common traps, and keep your story’s soul pure.
What are  your besetting sins as you seek feedback and revise? Perhaps you tend toward sloth:
The lazy scribe is one who’s failed to develop and utilize all her natural talents. To draft a story—and then stop there—is to ignore the very nature of literature, which constructs meaning through the deft layering of craft elements. If you find yourself bucking that notion, you may be guilty of sloth.
If you hate having your work critiqued, you may fall into the sin of wrath:
The editing process can inspire uncontrolled feelings of rage in a writer. It’s difficult to discover or to hear from a trusted reader that you might not yet have fully developed your work—but it’s also an important step in growing your organic talent.
Read the article to learn what "penances" the authors prescribe for these and the other 7 deadly sins of self-editing.

Monday, March 11, 2013

Writers Beware! Electronic Vanity Presses

Beware electronic publisher scams
In the last few days, I have noticed a lot of chatter about new imprints of major publishers for electronically published books (ebooks), which target new authors specifically. It appears that these new electronic-only imprints are little more than vanity publishers for ebooks, luring in writers thrilled by the idea of having major publishers such as Random House and Little & Brown publish their work.

A vanity press is one that caters to the writer's desire to get published at all costs. They take (almost) all comers, with no editorial screening of submissions -- undoubtedly, one of the things that contribute to their appeal. Typically, their services are limited to getting your book laid out, typeset, and printed -- which you pay for. If you want the services of an editor, you pay extra. If you want cover design, you may have to pay extra for that, too. They do not pay you any royalty; they do not market your book; they do not distribute the book; they may not even warehouse your inventory (hope your garage is empty, because you'll need some storage space). The vanity press is just that -- a press, not a publisher.

Now, with ebooks there is no press -- no paper, no ink, no bindery required, no warehouse needed to store printed copies, because there are no printed copies. How on Earth, then, can an electronic vanity press justify its existence? Only by offering big-name recognition in the inventories of online retailers, such as Amazon and Barnes & Noble. And yet they still want your money.

This post from the Savvy Writers & eBooks Online blog explains what is wrong with these new ebook publishing ventures:
Now it seems that reputable, traditional publishers step into the foot prints of these “vanity publishers” and go into the business of deceiving authors.  Many jumped on the bandwagon of the success of e-books and created imprints for digital books, such as “Hydra” [science fiction], “Flirt” [romance] or “Alibi” [mystery and suspense] an imprint of Random House, or “Blackfriars” an imprint of Little & Brown in the UK.
These new digital imprints became the subject of controversy recently since John Scalzi, president of Science Fiction Writers of America (SFWA), carried on a public debate with representatives of Random House's new Hydra division, which publishes science fiction ebooks (Random House has also started arms for books in other popular genres). Writers are not eligible to join SFWA, a prestigious organization of science fiction authors, unless they have published at least one title with a "legitimate" publisher -- one that pays advances on royalties from the sales it expects to generate from an author's work. Scalzi has stated that SFWA will not recognize these new electronic publishing arms of Random House as "legitimate" publishers, chiefly because they will not pay royalties, and also because the contracts they offer are massively disadvantageous for the author.

This article on io9.com summarizes Scalzi's objections:
1) They don't pay an advance, which is usually pretty standard, even for most smaller publishers
2) They charge the writer up-front for all sorts of costs that the publisher normally pays for, including editing, sales and marketing, cover art, publicity and so on -- which can pile up, and which are quite possibly whatever Random House says they are.
3) Random House takes the license to your book for the full term of copyright, and the clause allowing you to regain the right to your book after it goes out of print is really problematic.
All in all, this adds up to a situation where authors might never see any money from Random House, and meanwhile they never get to own their own work.
By comparison, ebook publishing services such as Book Baby and Book Tango, which help you self-publish your book for a reasonable fee, look quite inviting. Such services help you with formatting, publishing, and listing your book with major online booksellers, and also offer optional paid assistance with editing, cover design, and other tasks that you may wish to contract out. And unlike the new Random House ventures, they do not command the lion's share of your profits on book sales. Even so, make sure you know exactly what you'll be getting, or giving, if you decide to use such a service.

Writers looking forward to publishing their work should become acquainted with the Preditors & Editors website, which offers a wealth of information on publishers and publishing services. The publishing world is suffering a lot of upheaval these days, and the business end of writing is more complicated than ever. Make sure you educate yourself so that you understand all of your options before you decide how, and where, to publish your book. There are some wonderful opportunities that didn't exist a decade ago, but there are also plenty of pitfalls to be avoided. Writers, beware.

A Freebie to Help You Market Your Book

Author Marketing Club Badge
I just discovered a new web site, the Author Marketing Club, that may be of interest to any writer (especially self-published writers) who manages to finish writing a book and needs to think about marketing. I have only just discovered it, so I can't testify to its usefulness or effectiveness, but so far I'm impressed.

Let's face it, for many of us, having to think about marketing makes us want to do almost anything else -- write another book, take a nap, flee. What makes a good writer is not the same thing as what makes a good publicist, so we need all the help we can get. The Author Marketing Club (AMC) offers lots of help.

This web site is apparently still quite new, but it seems to offer lots of good free (and low-cost) help to making sure your book is well-packaged and well-known. Essentially, they offer a network of freelance editors, cover designers, links to resources, and even free resources on the site, such as video tutorials on book marketing and helpful ebooks you can download for free. I just downloaded two nice freebies:   The Ultimate Digital Book Promotion Handbook: The Author’s Guide To Finding Places To Promote Your Book Online, and The Write Word’s Easy Editing and Spiffy Style Guide. I would include download links for those, but they are available only to club members. However, membership is free, so anyone who would like the free books can get a free membership first. A very nice freebie is their offer of a free book landing page, along with discounted hosting if you need it.

AMC also offers a tool for getting the word out when you run a free promotion on your Amazon ebook -- allowing you easily to submit your freebie to a number of sites that list free Kindle books, such as Pixel of Ink and The eReader Cafe. While some of what the Author Book Club offers seems geared toward ebook publishers, most of the resources will serve as well, regardless of the medium in which the book will be published, such as networking with other writers, finding guest-blogger opportunities, and ways to get your book featured on their site, simply by writing a blog post or posting an AMC badge on your blog or website.

I'm planning to test out some of the club's offerings, using the ebooklet I've already published as a test balloon while I learn book marketing techniques, and I'll let you know how it goes. If anyone knows of any other nifty resources for marketing books, please leave a comment.

By the way, I learned about the existence of the Author Marketing Club from a mention in Steve May's Kindle book, You Too Can Moonlight As An Amazon Bestseller (Beginner's Guide to Publishing on Amazon),
which I snagged when it was being offered for free (it's now $2.99). 

Thursday, March 7, 2013

Fab Friday! Another meeting March 8

join us
The next meeting of the D/FW Catholic Writers Group will be held Friday, March 8, 11:30 a.m. to 1-ish. Our Friday meetings are held at Half-Price Books, 5803 E. Northwest Highway near Central Expressway in Dallas.
Click here for a map and directions.
 
Bring something to share about your writing that you would like feedback on.
 
Look for our group in or near the Community Room at the far left back corner (just past the Hollywood Lights). Feel free to bring your lunch or pick something up at in-house café.

Sunday, February 24, 2013

When is a 3-Star Review a Bad Review? When it's on Amazon.com

like button, thumbs up cartoon
When I published a short ebook on Amazon.com recently , I was a little embarrassed that most of the reviews were 5-star (one 4-star) raves, which was nice, but seemed a little over-the-top for a 35-page booklet on the many wonders diatomaceous earth. I even considered asking someone to leave a 3-star rating, just to make it look a little more realistic. Turns out that would have been a mistake.

According to this post by Anne R. Allen, "Anything less than 4 stars means “NOT RECOMMENDED” to the AMAZON ALGORITHMS. 2 or 3 star reviews are going to hurt the author's sales, no matter how much you rave in the text." Most of us, when we rate a book with three stars, intend to indicate that the book was pretty good, even if it didn't hit our favorite-of-all-times list, but apparently that's not the way the electronic gods of Amazon interpret it. I'm going to remember that the next time I write a review or rate a book, because I wouldn't want to hurt a good writer's chance to make a sale.

There are a number of other interesting points covered in Anne Allen's article, including suggestions on how to write a review that will help other readers make an informed choice about whether to purchase a particular book. If you like to write or receive reader reviews on Amazon.com, you should read the article.

Saturday, February 23, 2013

Join Us on Tuesday, 26 February

join us, DFW Catholic Writers, 26 February 2013
The next meeting of the Dallas/Fort Worth Catholic Writers Group will be held Tuesday, 26 February, at 7 p.m. We'll be in room 241 of Carpenter Hall on the campus of the University of Dallas (Carpenter is at the southeast corner of the campus, room 241 is at the top of the staircase on the east end of the building).

Any Catholic writer in the greater Dallas/Fort Worth area is welcome to attend. If you're planning to come, please click this link to RSVP. Returning members are encouraged to bring something for critique or plan to "show and tell" what you've been working on. (Bring 8-10 copies if you want written critiques.)

Thursday, February 14, 2013

Get Yourself Out There!

I'm a writer, read my book, cap
Every writer needs readers. 
Real writers want their work to be read. Seems like a no-brainer, doesn't it? But a lot of writers neglect key tasks that will help them find readers for their work.

Everyone in our writing group is working on, or planning, some kind of written work intended for readers. We're not simply writing for our own pleasure or as some kind of personal therapy, we're writing to communicate an idea, information, an experience, or a story to readers. Ultimately, we want our work published -- i.e., made easily available to the reading public who may be interested in what we have to say. We want to get our work "out there."

Now, these days "publishing" does not necessarily mean getting a contract with a traditional publisher -- it might mean "published on the web" (a blog post or online article), it might mean "self-published" (electronically or in print) or some other method of getting your writing in front of readers' eyes. One of the things all these means of publication have in common, though, is that you are more likely to find readers if you already have readers -- the writer's variation on the old dictum that it's easier to get a job if you already have a job. That sounds paradoxical, but it is nonetheless true.

Consider this article which describes seven key traits that distinguish published writers from unpublished ones. Which of these traits do you already possess?

1. Consistency. Published writers write every day, while the unpublished write in fits and starts.

Do you write every day? If not, why not? Some lucky writers are able to have large blocks of time each day to devote to writing, but most of us don't have that luxury. Still, there's hardly a person alive who couldn't find twenty minutes a day to write. Maybe it wont' be at the same time every day (although that is best for acquiring a writing habit), or it may be only on Mondays, Wednesdays, and Saturdays, but you need to set a schedule for writing and stick to it. Pick a time and place where you can minimize distractions and do it. Be diligent.

2. Purpose. Published writers write to help and inspire others, while the unpublished tend to write for themselves.

Those of you reading this who are members of the Dallas/Fort Worth Catholic Writers Group know about this. Each of us is motivated to write because, in some way, we want to serve God and our neighbor by communicating our knowledge, experience, ideas, or vision. As in any other area of life, humility is key here. We shouldn't abandon or neglect our task simply because we've decided it's no fun, or too hard. But we must guard against false humility, too -- that little voice that says, "I'm not very good at this. No one is going to care what I have to say. I'm not a professional writer." You can learn to be a better writer, but only if you actually write.

3. Platform. Published writers have a platform established before their first book comes out, while the unpublished may not even know what a "platform" is.

So what does the term "platform" mean? It means you are already "out there" and people know you, respect your work. This one is scary for a lot of us, especially those less savvy with the new media. But the fact is that the easiest way to get your work read is to learn to write about it through some online presence, by writing a blog and making good use of social media . If you do that, you'll be more likely to get a publisher interested in your book when it's ready. Start now.

4. Reading. Published writers read about writing and publishing, they don't just sit around wondering why they haven't been successful.

Reading, in this sense, means learning. Many of us in our group are as yet unpublished. Maybe we're working on our first novel, or maybe we want to translate experience writing for our parish newsletter into work that will gain wider readership. In either case, we all have something to learn, about the craft of writing, about the art of marketing and promoting our work. In writing, as in any other vocation, continual learning (in addition to continual practice) will help you be the best writer you can be. And as the world of writing, publishing, and reading continues to change it's important to learn what works today, as well as learning from great teachers of the past.

5. Work. Published writers know that they have not only to write but to revise, blog, market, and take care of other chores that unpublished writers regard as optional or unnecessary.

To be a successful writer (however you choose to gauge success), you've got to do some slogging along the way. As with any other job -- yes, think of writing as a job, not a hobby! -- there are boring but important things that must be done. For some, the dreaded chore may be writing when we don't feel like writing, or revision, while for others it may be building a marketing platform or maintaining a blog. You wouldn't tell your boss, "I just didn't feel like doing that," would you? Be your own boss and make sure everything gets done.

6. Website.  Published writers have a website with their name on it, while unpublished writers have a freebie blog (like this one!), which they seldom update.

This, for many (or most) of us is something we'd rather not bother with. Maybe the idea of having a website with our name on it, for all the internet to see, may seems to much like an act of pride or vanity. Or the technical challenge of getting a web site up and running may seem overwhelming. But if we think of this as one of those "boring but important" chores I mentioned earlier -- something necessary to share our God-given talents and expertise with the world -- we can get past the mistaken notion that we are indulging the sin of pride by creating our own website. And if we really are doing number 4 above, we'll learn that it's not as daunting a task as it may seem.

7. Marketing. Published writers understand that this is necessary in order to get their work to the readers who will benefit from it, while the unpublished delude themselves that a publisher will take care of this for them.

This is another potentially boring chore that is nonetheless crucial to becoming a published writer. There's just no way around it, folks, these days those getting published for the first time are much more likely to be those who already have a marketing plan and an established "presence" online. We only hurt our chances of getting published if we neglect this task. Our potential readers are out there, somewhere, and we need to start connecting with them even before our book is published. And if we don't have readers, we might as well not have written.

By the way, if all this talk about platforms and marketing gives you a knot in your stomach, you should take a look at the Author Media blog, where I found the seven traits discussed above. They have lots of readable and helpful articles on the various aspects of building an author platform. You'll also find some good advice in this post by literary agent Rachelle Gardner.

I'll be writing more about each of these in future posts. Until then, look back over this list and identify which areas you need to work. Make a commitment to yourself to do something concrete to make sure that you have or acquire each of these seven traits of published authors.

If you have experience or advice on any of these points -- or if you can think of others -- leave a comment below. Even better, if you're a member of our group write your own post on this topic.